More about “Whispers of the Sea”!

Written by Janet Ranson,  Artist behind the “Whispers of the Sea” exhibition

IMG_20140609_103243

We set up the Whispers of the Sea exhibition on the top floor of the Pan African Market in Long Street, Cape Town on 4th June. Tahirih and Andisiwe, Claire and Sam Murgatroyd helped with the installation.

IMG_2931

Participants at the NAS training – they contributed bottles of things they felt were “heritage significant” to the Exhibition as well!

We decided to place our ring of ‘treasure jars’ in the centre of the landing, to create drama as you came up the stairs. 16 jars were suspended from hooks in the ceiling, appearing to float at head height. The contents included pot-shards and beads collected on the beach near Lambasi village (donated by the collectors), a copy of a gold bell recently found, mussel shells, photographs from the research and images of precious heritage as documented in the NAS training. Each jar was internally lit by LEDs.

IMG_20140606_122007

Andisiwe and Janet!

Speakers were placed on either side of the ring of jars, playing a selection of clips from the research interviews, edited by musician Eric Michot. These clips were edited in the original isiXhosa with English translation, fading into sea sounds, creating the effect of a multiplicity of voices, telling stories and commenting on Eastern Cape maritime heritage.

IMG_20140608_091134

We also displayed a worn spade and hoe with worn-away blade, which had been used by some of the interviewees for digging on the beach for many years. For an extra interactive element, a rusted chest was filled with sand and ‘salted’ with beads, shells, pot-shards and chocolate coins, with visitors invited to dig for ‘treasure’ (this was not popular and won’t be repeated at future exhibitions). Alongside the usual opening night offering of a glass of wine, Tahirih set out jars of favourite childhood sweets: stars, cachous, chappies, wicks and liquorice gob-stoppers, which were enthusiastically enjoyed by visitors.

IMG_20140605_222243

When visitors arrived at the exhibition, they were curious about the display and a somewhat puzzled over the jars, although they liked the effect. This was the intention: while they examined the jars they could hear the sound piece. Janet Ranson has observed that people are not used to listening, and calculated that they would need a visual distraction to help them take time to hear the stories.

IMG_20140605_220855

Vuyo Koyana from the Pan African Market, the person who made this event possible!

Positioning the exhibition at the Pan African Market and partnering with First Thursdays helped attract a large and varied audience. At the opening, the space was packed, despite the cold weather and 3 flights of stairs. Andisiwe was on hand to explain the research project and the significance of the objects in each jar. We found that tourists, artists and even historians were fascinated by her tales. The recorded voices proved so effective that one visitor thought the voices were coming from the jars themselves!

IMG_20140605_221106

Lunga, Andisiwe and Sbu – the team of people that welcomed and guided visitors through the exhibition!

People were visibly engaged and animated and emotional discussions ensued: urban Xhosa-speakers seemed delighted to see some of their culture and customs recognized in this way. Waves of visitors kept arriving, including some of the ‘who’s who’ of Cape Town’s contemporary performing arts scene, who came to see Khaya Witbooi and Jacqueline Manyaapelo’s performance (in the same space) and stayed to comment on the exhibition. It was exciting to see so many people take an interest in the research from an isolated and neglected part of South Africa.

IMG_20140605_223126

Khaya Witbooi’s performance art piece beginning

 

NAS Training – A Community Workshop!

IMG_2925Written by Heather Wares – Selection from project report

As part of the agreed upon project outcomes, a five day community workshop was held in the week of the 26- 30 May. This workshop was mandated to include both a discussion around the importance of protecting Maritime and Underwater Cultural Heritage (MUCH) sites and the teaching of basic archaeological survey skills through the Nautical Archaeological Society (NAS) courses. A team of seven people travelled to the Eastern Cape to present the workshop, including a SAHRA intern who participated in the NAS training.

The aim was to integrate the oral histories gathered over the course of the project within the structured topics of the workshop. In order to create an atmosphere of interaction and gauge the level of understanding, the participants were divided into three groups who would produce mini-projects representing a heritage site which they deemed important to the community and area. The resulting projects far exceeded the expectations of the project team and illustrated the outcome of the workshop as being one of mutual teaching and learning.

IMG_2931

NAS courses were originally designed for the United Kingdom and within South Africa shipwrecks have been a central focus for previous NAS training. While shipwrecks continue to hold importance, there is a realisation that many South African cultures attach intangible meaning to various bodies of water such as lakes and rivers. Thus, the NAS training was adjusted accordingly.

The design of the workshop was informed by the field work done over two ten day periods, giving the team an idea of what to focus on to serve the needs of the community and the project. Presentations were done on topics such as Introduction to Maritime and Underwater Cultural Heritage (MUCH), Site Types, Site Survey, The Grosvenor Case Study, Heritage and Tourism, and Heritage and Legislation. Over the week these topics were introduced, explained and discussed.

IMG_2927The overall outline of the workshop was to present the basic idea of what an archaeological site type was, why they are important to preserve and how that preservation can be done through basic archaeological survey techniques. In the design of the workshop and the integration of the NAS curriculum, the team had to keep in mind that this was the first time that most of the participants had any interaction with the archaeology. In addition, all of the presentations and discussions were translated between English and Xhosa.

Thus it was necessary for the workshop to extend over 5 days. To best satisfy the objectives of the workshop the week was structured with theoretical and practical components. The mornings were dedicated to theoretical presentations and these were put into practice in the afternoons through group project preparation. This structure allowed the participants to use what they had learnt from the theoretical components to inform and mold their projects.

The numbers of participants varied throughout the week, due to other commitments, with between 13 and 19 attendees. However, with a core group in full attendance the combination of presentations and discussions provided the participants with a new understanding of Maritime and Underwater Cultural Heritage. The participants could then relate the concept of MUCH to their local heritage sites and implement practical ways of protecting these sites for the benefit of the community as a whole.

 

ACHA in Paris with UNESCO

ImageImage

 

 

 

This week ACHA members are in Paris at the invitation of UNESCO for the 5th meeting of the members of Scientific and Technical Advisory Body (STAB) of the 2001 Convention on the Protection of the Underwater Cultural Heritage (the Convention). According to Article 4 (paragraph a) of its Statutes, the STAB must meet at least once every year to deliberate on aspects of the implementation of Convention that are important to States that have ratified. At this meeting, the STAB will draft resolutions for promoting public access to underwater cultural heritage sites, developing education and awareness raising programmes and cooperating with UNESCO accredited NGO’s around the world.

Public access to heritage sites is an important component for protection and management. If we want people to engage with their heritage we need them to be able to visit and interact with it. Although its would be easy to open up a heritage site for visitors, sustainable visitor management plans must be drafted and implemented so that tourism doesn’t destroy or damage the sites. The STAB will discuss ways for tourism and heritage to work together so that heritage sites contribute to the economy but are protected for the enjoyment of generations to come.

Responsible public access is closely linked to education and awareness raising programmes. Heritage sites on land are easy visit. Some maritime sites like harbours, or fish traps are also visible, but sites underwater are usually only accessible to divers. This often means that the people who live near the sites have never seen them and don’t know much about them. While laws might protect heritage, it is important that people who live near the sites assist with managing them. ACHA believes that through education and awareness raising, communities living near submerged sites connect underwater cultural heritage and terrestrial heritage to form a more inclusive heritage where sites, stories, traditions and environments make up a maritime cultural landscape that is part of the identity of the people who live in it. If people are connected to their heritage they will help protect it thereby assisting government agencies in their duties. Protecting heritage and sharing stories and histories can also contribute to creating heritage trails and museums that will stimulate tourism and economic development.

UNESCO and the States Parties to the Convention have accredited ten NGO’s worldwide who will work together with the countries who have ratified the Convention to implement training, capacity building and education programmes, awareness raising projects and management initiatives. The NGO’s provide a network of experts who can assist wherever needed. ACHA has two strong connections with the accredited NGO’s. Firstly, we have partnered with CIE – Centre for International Heritage Activities on several projects in Africa including in Mozambique, Tanzania and South Africa. ACHA is also a training provider for the Nautical Archaeology Society (NAS), whose courses are taught worldwide.

Although ACHA is not yet accredited with UNESCO, it will support the efforts of CIE at the meeting. ACHA is the only African NGO working in Maritime and Underwater Cultural Heritage (MUCH) that will be attending the meetings and, as such, will stand for African interests and promote the development of MUCH in Africa.